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Emilio Estefan delivers an electronically emphasized take on samba with "New World In My View." Mann has always had a penchant for electronic music, dating back to his first foray into the silver screen with the Tangerine Dream score for Thief. Even though it was penned in 1998, "Arranca" by Manzanita is a wonderfully lilting slice of energetic samba. Blue Foundation continues this trait with their Euro-spoken word ambiance on "Sweep." Samba makes an appearance, as well. A decidedly blues view is instilled on the airy "New World In My View" from King Britt. This restrained emotional fortitude is continued on the India.Arie number "Ready For Love" from 2000. The former is all controlled chaos, the latter is subdued intensity. "We're No Here" and "Auto Rock" provide two conflicting washes of emotion. For example, Mogwai represent with two tracks from their scathing, guitar storm oriented album Mr. The few 2006 era tunes aren't even new or exclusive to the soundtrack.
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While Mann's series back in the '80s pioneered the use of contemporary music in television, breaking acts and featuring new and current music, here he and the other producers of the soundtrack have opted for a plethora of older tunes dating back from 2004 to 1995. The use of Nonpoint merely signals the major flaw in the soundtrack. Granted their version of Collins' classic was recorded back in 2004 and appears on their album Recoil, but it still is a far cry from the original, churning out growling vocals and staccato drums to shift the eerie, dark and brooding nature of the source into another post-millennial rock number.
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Even so one has to wonder what exactly he was hearing in his head at the time he was putting together the sonic tapestry that would echo behind the images of his film.Ĭase in point, one of the signature musical elements of the Don Johnson/Philip Michael Thomas era series was Phil Collins' bleak, atmospheric "In The Air Tonight." For the update Mann and company enlisted the aid of Nonpoint, the pseudo Nu Metal band hailing from-you guessed it-Miami. Mann subsequently produced the accompanying soundtrack. In the case of the new Miami Vice at least creator of the seminal '80s television series, Michael Mann, was on board for the 2006 cinematic update. Re-envisioning a pop culture phenomenon from the past is always tricky business.